Fame Day: Dwayne McDuffie

This post is one that I write with both deep respect for its subject, as well as a great sense of loss. His impact on the world of comics is greater than many realize, and it was a truly tragic event when he passed away on February 21st of last year due to complications from emergency heart surgery.

While I didn’t know it at the time, McDuffie had a huge influence on my becoming a fan of comic books. Growing up in the Philippines, my dad got his hands on a bunch of trade paperbacks, one of which was Static [now Static Shock]. The series was one of many that was published my Milestone Media, a comic company co-founded by McDuffie and three others. Their aim was to “express a multicultural sensibility” that he felt was missing from the industry, and they succeeded.

The titular Static was the electric alter-ego of African American teen Virgil Ovid Hawkins, and continues to be one of my favourite comic characters ever. One of the many created by McDuffie for Milestone, he embodied the awkwardness of adolescence and the effects of vigilantism on one’s personal life. His world was realistic and gritty without succumbing to the darkness that other such worlds do. Static was well-written, action-packed, and, most importantly, relatable.

After Milestone had stopped publishing new companies, McDuffie went on to enter the world of television. He was hired as a staff writer for the Justice League animated series, and was promoted to both story editor and producer as the show became Justice League Unlimited. Of the show’s 91 total episodes McDuffie wrote, produced, or story-edited 69. McDuffie also did extensive work on continuing the Ben 10 series, wrote for the Teen Titans show, and scripted a number of DC’s direct-to-DVD animated films.

Dwayne McDuffie also had an extensive career working for both DC and Marvel, and earned three Eisner Awards. In addition he was awarded many others, including Comic Con International’s Inkpot Award. Above all, he was able to affect the entire industry for the better. It’s just a tragedy that he left us as soon as he did.

Evan and Gordon Talk: Deadliest Warrior

EVAN: Ladies and gentlemen, boys and girls, welcome to the first installment of E&GT where Gordon and I try to uncover the magic that was lost. The last post we did fell a little flat, so we’re here to casually discuss a subject we both know is awesome: DEADLIEST WARRIOR.

GORDON: That’s right- Deadliest Warrior, a show 90% about mutilating ballistic gel dummies, and it was STILL too intellectual for Spike. At least, that’s my version of why they cancelled it. You can probably tell we’re a little bit bitter about the whole thing.

EVAN: Ugh, Spike. Have you seen the little bits of footage they slot in between shows to fill up the space?

GORDON: I have not.

EVAN: It’s like . . . Here, let me find one.

Readers, the following is kinda PG-13. I kind of apologize for embedding this, but it’s just too ridiculous not to:

Continue reading

Shame Day: Masculinists

Let’s be clear right here and now- I’m not talking about “masculinism” in the original “let’s recognize gender discrimination against men too” philosophy. No, I’m talking masculinism in its modern day sense: the general idea that women have somehow hijacked everything it means to be a man, and have either watered down everything manly, or made it socially unacceptable. This is the gripes of countless dads and uncles around the country at every kid on the team getting a medal given an intellectual motor.

That’s not to say that there are certain points which these guys aren’t correct on. In custody battles, the courts are almost certainly going to side with the mother on the basis that her gender somehow makes here a superior parent. That’s stupid. If a man were to make a pass at a female co-worker, the consequences would in all likelihood be more severe than if the positions were reversed. That’s unfair. A man striking a woman gets a visceral reaction out of us, a woman striking generally does not. That’s sexist.

Now promoting gender equality is perfectly fine. After all, when a person hits a person, that’s all that really matters. Gender (or race, creed, religion, etc.) don’t make the act any better or worse. But tragically, that positive element of the movement is mired down by all the psychotic and apologetically misogynistic madness that makes up the other 50%. Stuff like:

  • Equating circumcision with genital mutilation (or even wrongly declaring that women are exempt from any such practice)
  • Declaring the existence of a “war on men”
  • Complaining of the lack of existence of any day celebrating men
  • Complaining the women are somehow exempt from heavy, dangerous, and strenuous labor (again, what planet are these people living on?)
  • And countless other bat**** crazy claims of male victimization and persecution

Again, as stated above, there is a double standard, and while any inequality in the rules is obviously unfair there’s no way on earth we can possibly imagine that these offenses against men in any way stack up to the offenses against women. Is there female domestic abuse of males? There is. Is it as much as male domestic abuse against females? Not even remotely. Does that mean that one side is more right or wrong than the other? Of course not. The same basic logic applies to pretty much each and every one of the nutty gripes the masculinist movement brings against the supposedly woman-dominated world we’re trapped in. Other claims are quite simply false. The idea that women somehow have a “glass floor” protecting them from working physical labor or living in rough, dismal conditions is simply an utter lie. Women are disproportionately the majority in sweatshops around the world. Not two hours ago, I drove past a homeless woman on the street, and I saw another one the day before (although it could’ve been a hipster, I’m not entirely sure). Again, it’s true that men are sometimes treated unfairly on the basis of their gender, or subjected to a double standard. However, the degree to which men are persecuted and the degree to which women are persecuted are leagues apart.

That’s not to say that injustice to a man is any less unjust, but rather, when you’ve got a paper cut and the person in the emergency room with you is missing an arm, you should still apply a band-aid, just maybe without griping about it.

Free Information Culture

The last of my installments (for now) in looking at these rising alternative cultures is “Free Information Culture,”  which shares the same problem with “science” culture in that there’s really no good name for it yet. I’ve referred to it before as “internet culture,” only the problem with that is that, like “science culture,” it isn’t so much the culture of the thing itself as the culture of the fanbase. In simpler terms, it’s the difference between Hollywood culture and movie-lover culture- it’s the end product that’s valued.
So what’s the internet’s “end product”?

Besides porn and stuff like this…

Free Information.

Whether it’s the news, or Wikipedia, or TED Talks, or Imgur, or anything else imaginable, it’s on the internet for free and public use. It’s something of a great equalizer. No matter where you’re from, what language you speak, what class you hail from- you can create or say anything and then get called gay in the comment section.

And while that last bit is sort of a joke, it does play a role in developing the “free information culture.” Granted, general anonymity can make us vicious and vile people, but it also (to some extent) strips us of our egos. When you make something online, you really don’t get much, if any, credit, but that’s alright since it isn’t the point. It’s just about creating, nothing more or less. Who drew the first rage face? Who started up Bad Luck Brian? Who edited and sourced that one Wikipedia page you used to stitch your last minute term-paper together? Who puts together those monthly fail compilation videos? I don’t know and will probably never know, but I do know that they’ll keep coming because of the simple joy of creating them. I and every other person with a half-decent internet connection.

And all of this simply isn’t understood by some people.

Recall the massive outcry against the SOPA and PIPA bills? What prompted the creation of  these acts was that some people- certain corporations in particular- couldn’t quite wrap their heads around the idea of free and unlimited access. Now maybe you agree with them, and maintain that posting copyrighted material of any kind is piracy and immoral, however, what needs to be understood is that this was viewed as an act on the very nature of the internet and everything it had come to represent.

Again excluding porn and stuff like this…

Now more and more companies are catching on to the idea that it’s wiser to try to work with the faceless and vengeful cat-worshippers of the internet than against them- just look at video game companies that are starting to work in tandem with modders. The game Minecraft in particular is a good example of this, as many of the new aspects of each update to the game coming from the fan-forums themselves. Nevertheless, there are still plenty of people out there (I’m looking at you, Music Industry) who continue to struggle (vainly) against the dissemination of what they view to be the “information wants to be free” crowd.

Again, it all boils down the core of the culture that the internet has produced, gravitating around the concepts of freedom and egalitarianism. Look at Wikileaks founder, Julian Assange.

If he did his work back in the early 90s, we can be pretty sure he’d be viewed overwhelmingly as a candidate for a James Bond villain. But today we (for the most part) view him as being a heroic (or at least positive) figure in a world that’s become increasingly secretive and unequal. Why this dramatic shift in perception? Again, it’s the internet and it’s affect on us. In a time of economic crisis we might not be able to go to the movies, or eat out, or drive for miles to see a friend, but we can watch something online, or browse recipes, or video-chat with the same buddies that you’d otherwise not be able to see. Any threat to your full and unrestricted access to the internet is, by proxy, a threat to some of the last pleasures you have left.

Hence the formation of a culture obsessed with the values of free speech, free access to information, and freedom from censorship. And with every development of the internet or our access to it serving as another leap in the evolution of the culture, it’s safe to say that the howl of anger that the governments of the world met when trying to create such bills as ACTA is only going to intensify.

Stop Fan-Casting Neil Patrick Harris

A long, long time ago, back before it was announced that Bane would be the “big bad” in this summer’s The Dark Knight Rises, Bat-Fans everywhere were talking villains. Who would square off against the Caped Crusader next, and who would play him or her?

The most popular pick was The Riddler, as he was deemed the one most suited to Nolan’s gritty, realistic world. It didn’t take long after that for people to settle on the actor most qualified to take on the role: Neil Patrick Harris.

This was popular enough to warrant at least two separate Facebook petitions, fan-made posters [see above], and even a fake movie trailer. A month before the actual film hit theatres everywhere the people at ScreenCrush decided to announce that they too thought that NPH looks like the Riddler.  He was even the picked for the role in a post on this blog that I did not write; just a reminder that my fellow writers and I will (and do) not always agree.

Even more recently, I read a post on reddit titled “My personal pick for the flash.” The accompanying image was a photo of Neil Patrick Harris. I disagreed, and, before you fly into some/any sort of rage, let me defend myself.

I love How I Met Your Mother. That being said, I really, really enjoy the character of Barney and the nonstop energy and enthusiasm the actor brings to the role. It’s how most people know the guy, and I can see why most people are struck with how, well, awesome he is. But after I saw the aforementioned post on reddit and composed a reasonably put response, I knew what I had to do:

To start with, let me list the last few movies in NPH’s filmography, in descending order:

  • American Reunion [2012]
  • The Muppets [2011]
  • A Very Harold & Kumar 3D Christmas [2011]
  • The Smurfs [2011]
  • Beastly [2011]

Comedies and children’s films. To be fair, Beastly appeals to more of a younger, Twilight-loving crowd, and it’s also where Harris plays his most serious role: a blind, wacky, wisecracking tutor.

That’s not to say that he can’t pull off emotional depth. HIMYM‘s Barney doesn’t go through every relationship like it’s nothing, and more than a few times has to face the fact that maybe he does want love, or at least stability. Dr. Horrible’s Sing-Along Blog, which you should all watch if you haven’t, is a really enjoyable musical about a supervillain, but also has some deeply heart-wrenching moments.

In spite of all that, I just don’t think Neil Patrick Harris has what it takes to take on the role of a member of Batman’s rogues gallery, or don the cowl of the Fastest Man Alive. Just because he voiced Nightwing in the very well-done animated film Batman: Under the Red Hood doesn’t make him qualified to do anything similar live-action. The headlining role in an independently done musical is not the same as a film in a huge franchise.

If his HIMYM co-star Cobie Smulders’ performance as Maria Hill in The Avengers is any indication, he won’t do a terrible job, he just won’t do great. Neil Patrick Harris is an immensely talented actor, singer, and dancer, but I don’t believe he’s not the next big thing in comic book movies. Feel free to disagree.

Monsters: A Book Review

I don’t normally review books in soft-copy. It’s difficult to read from a computer screen for that amount of time, and I find it easier to relate to a book’s solid permanence; if I can pick it up to hold and read, maybe you can [and should] too. That aside, I agreed to review something a friend had written, so here it is in all its candidness.

Monsters: a collection of short stories is exactly that, seven tales penned by  Caleb Bollenbacher, a 2011 graduate from Baylor University. Only available on Amazon for the Kindle, an excerpt of the book’s description is as follows:

Nobody yearns to be a monster. But sometimes it works out that way.
Sometimes you merely find yourself looking into the face of one.
Sometimes that face is your own. Continue reading