Tag Archives: TV

What Happened to Josh/Epic Mook on Epic Meal Time?

missingjoshToday I watched the first episode of my favourite online cooking show equipped with the answer to the question that titles this post: “What happened to Josh/Epic Mook on Epic Meal Time?” It was a sombre occasion, and the burden lay heavy on my heart as I was witness to the EMT crew create a pizza enchilada, a “chicken from a drawer” enchilada, and a Baconator enchilada, all without the help of their most handsome member. Yeah, I said it, and before this blog post is done I’ll say it again.

Last I covered one of the Epic Meal Time guys leaving I was almost an entire year late, but I’m much more up to speed this time around. This time around I can actually refer refer back to a tweet that Harley “the Sauce Boss” Morenstein himself made just five short days ago:

So the short answer is: he left the show.

The long answer is only slightly more complicated. Continue reading

“Hail Satan Gaiman” Or “Sympathy for the Devil”

Neil ****ing Gaiman.

Whimsical genius behind countless best-selling novels and comic books. Creative cadre to such literary giants as Terry Pratchett and Alan Moore. Champion of the plight of Syrian refugees. Perhaps one of the great authors of this time, with tales and yarns extending from the worlds of realism to science fiction to fantasy.

In many respects, a modern-day C.S. Lewis, with his ability to make the magical and divine seem every much as real and accessible as anything in the waking world.

Shame some folks don’t see it that way.

Specifically “One Million Moms”, which has created a petition for FOX to cancel Gaiman’s upcoming Lucifer TV series.

Now for the unaware, Lucifer is a comic book series spin-off of Gaiman’s fantastical masterpiece Sandman. Dealing largely with themes of free will and fate, the series sees its titular character abdicate his infernal throne and become a beach-bum in Australia.

The series has been loosely (but still earnestly) adapted by FOX, with the show’s premier airing at this year’s ComicCon and a three minute trailer released for the public at large. Continue reading

Socially Conscious Comedy Part II: Key and Peele on Being Black in America

Seeing how I love to pretend that binge-watching comedy sketches counts as research, I decided to follow up on last week’s post about Amy Schumer with a post about Key and Peele.

I find a lot of Schumer’s work funny because I can relate to it. It’s not quite the same with Key and Peele, since I am neither black, nor male, nor American.

Although sometimes their characters aren’t male either.

Even though I have little in common with Jordan Peele and Keegan-Michael Key, I do find their work hilarious. They do a variety of flawless impressions and have a much wider range than Schumer, who generally sticks to one (albeit very funny) schtick.

Like Schumer, they also take on some very serious social issues in their comedy. Since they are both half-black, Key and Peele often touch on the way racism affects the lives of black or biracial individuals. Below, I’ve included three racial inequalities that Key and Peele do a great job revealing via their sketches.

1) Racial Profiling and Police Violence

As a Canadian, the prevalence of police violence towards black Americans blows my mind.  Don’t get me wrong, Canada certainly has our own problems when it comes to police violence. That said, our more recent incidents of violence are due to taser-overuse, rather than unnecessary use of a firearm. It’s uncomfortable to watch cases of police violence when they are discussed on American news, since the focus tends to be on whether or not the victim of police violence “deserved it.” Black victims, even twelve-year-olds with pellet guns, are framed as threatening, in order to excuse why a cop discharged their firearm.

Key and Peele often subvert this “threatening black man” trope in their sketches. In “Flash Mob” and “White Zombies” Key and Peele play non-threatening black men who are mistaken as dangerous by the white people (or white zombies) around them.

Similarly, “Solution to Racial Profiling” mocks the racial double-standard that fames black youth in hoodies as “thugs” while their white peers are described as “misunderstood”.

https://youtu.be/Ouxp8vtZN3E

One of their more serious sketches, “Negrotown,” addresses police violence directly, by imagining a world where police violence and racial profiling no longer existed.

Continue reading

Compulsory Comic-Con Blog Post About Race [And Archie Comics!]

The amount that’s going on today, let alone just this week, has been overwhelming. From the Pan Am Games starting tonight here in Toronto [which we only care about more than you do because it directly affects inconveniences our lives] to, as mentioned in the title, the second day of Comic-Con International in San Diego to the Confederate Flag being taken down from the South Carolina Capitol grounds.

I need to take a short paragraph just to state how immensely important this is for America, and the only reason I’m not covering it today is because I don’t want add what few drops I have to offer to an already overflowing new cycle. That being said, for any who are further interested in the topic of the Confederate flag and all it stands for I have a few articles that are over 150 years old for you to look over. Enjoy.

To get to the actual content of this post allow me to inform everyone that I am all about Archie Comics. I dug them before middle school, when my dad bought me sixty or so assorted digests and double digests at a garage sale, and I love them now years after having misplaced every single one. To put that more simply I have been into tales about a group of all-American teenagers before and after my actual teen years. Considering the fact that they’ve been around for almost three quarters of a century the titular Archie and the other residents of Riverdale have managed to perform the not unimpressive feat of telling timeless stories that appeal to generation after generation.

The thing is, a rolling stone gathers no moss and all that.

Roberto Aguirre-Sacasa, the publisher’s Chief Creative Officer, has been making strides to ensure that the world doesn’t forget about Archie Andrews. Non-comics-obsessives may not be aware of Afterlife With Archie, a series that he is writing himself which features the dead rising and the gang doing what they have to not to get eaten. Art by the immensely talented Franco Francavilla [who also illustrated the cover on the right] aside it’s good, with conventional tropes being carried out by characters we know like the backs of our hands. Crossovers with other franchises include GleePredator, and, somehow, Sharknado. Anywhere teens could potentially be found has the potential to host Betty, Jughead, Dilton, and the rest of them- Continue reading

2 Broke Girls And the Interview with Federico Dordei, Part 2 – Behind the Scenes at Stage 21

AT THE REQUEST OF FEDERICO DORDEI HIMSELF I HAVE TAKEN DOWN THIS ARTICLE. APOLOGIES TO ANYONE INTERESTED IN READING IT.

In Defence of Feminine Strength (Re: In Defense of the Warrior-Princess)

When I initially read Gordon’s response to the post I wrote last week, I asked myself, should I be offended?

You see, my original post was one of my more personal pieces, where I touched on my struggle with self-acceptance (as a rather sensitive person) in a culture highly influenced by what I described as the warrior-princess/damsel binary.

As a child, I believed that I needed to become emotionless in order to be strong, and masculine in order to be taken seriously. That’s why I find characters who are feminine and strong, like those often played by Zooey Deschanel, an encouraging presence in films and TV shows.

So, you can probably see why, being the sensitive person that I am, Gordon’s closing statement came off as a wee bit hurtful:

Deschanel states that “we can be powerful in our own way, our own feminine way” [emphasis added].

No you ****ing can’t.

From what I know of Gordon, he seems like a pretty good guy, so I’m going to act under the assumption that he was not writing an attack on my personal character, but rather a critique of the concept of feminine strength as represented by Deschanel. That critique is what I will be responding to in the points below. If you don’t watch New Girl, then be aware, there are spoilers below.

1. The Critique Begins with Flawed Logic

I have to thank one of our most faithful commenters, Rosie, for pointing out the “strawman argument” made in Gordon’s critique. In “In Defense of the Warrior-Princess” Gordon describes traditionally feminine characteristics using words like “submissive” and “weak”, words that neither I, nor Deschanel used to describe femininity. Using these sort of terms creates a false dichotomy between my argument and his.

He also claims that Deschanel plays “ditzy, emotional, pathologically neurotic” characters “who don’t need no man to help them”. He includes a crying gif of Jessica Day, the character Deschanel plays in New Girl as evidence.

This isolated gif ignores the wider context of the show, where every single character deals with their day-to-day life in a “ditzy, emotional, pathologically neurotic” sort of way.

It also ignores how New Girl is not at all about being the kind of person “who don’t need no man”. Instead, this show demonstrates how relationships lead to personal growth. It also shows how every person sits somewhere on a spectrum between sensitive and stoic, and how both of these traits are essential to becoming a healthy individual. Continue reading