“The Case for Unisex Bathrooms.”
Faithful followers of this blog may recall that was a post we ran back in November of 2015, dealing with the push for equal bathroom access for transgendered folks. Yours truly made some pretty compelling arguments, and you’d expect the universe to comply with my effervescent fountain of wisdom, yet on February 22nd, the Trump administration announced it would repeal transgendered bathroom protections established by Obama.
So here we are again.
And that’s a little strange, because other than a couple incidents, I don’t recall a sudden wave of sexual assaults taking place after the Obama administration instituted its protections. Maybe it’s like how gay marriage was supposed to bring about the downfall of society, and it just takes a suuuuuuper long time to get started.
Or maybe it’s just a gut reaction to some of the more stupid elements out there. The folks who’d argue that the world should respect their choice to identify as a bottle of mayonnaise:
Given painfully unironic martyrs like that, it’s not completely baffling why some people would push back against any unusual gender identity. Continue reading
Posted in bizarreness, Christianity, fashion, gender, morality, news, politics, science
Tagged Bathroom, Daniel, Deuteronomy, FDR, gender, Gioacchino Conti, Hanne Gaby Odiele, intersex, Jamie Shupe, law, Obama, sex, sex change, sexuality, Transexual, Transgender, Trump, Tumblr, Unisex
The following is research that was done for my post titled “The K’un-Lun of Netflix’s Iron Fist [Within the Larger Context]”, as a means of supporting one of my points. Due to its length I decided to dedicate another short post to it to avoid adding to what was already too lengthy an article.
I would encourage you to read that one in full, though this should certainly be interesting enough on its own.
For the vast majority of my blog posts about Marvel comic books I refer to the Marvel Database, an unofficial wiki updated by fans. While that format can and does lend itself to the occasional error, the citations at the bottom of the page referring to specific runs and issue numbers allow for fact-checking if needed. At this point in time there are no direct mentions to K’un-Lun being anything other than one of the Capital Cities of Heaven, besides a heading for the alien race the H’ylthri with no text underneath it.
However a number of other sources have slightly differing origins. Comic Vine, another well-regarded comic book wiki, mentions on its entry for the city that:
“K’un-Lun is the stronghold of a colony of humanoid aliens, place of origin unknown, whose spaceship crash-landed upon a small, extradimensional world, approximately a million years ago.”
Unfortunately there are no citations listed anywhere. This tidbit of information is also listed on Marvel Directory, a largely defunct site that appears to have been last updated in 2015. Their entry categorizes K’un-Lun as an “Alien world” and only refers to the issue where the location first appeared, Marvel Premiere #15. As far as anything from Marvel themselves, the page on the publisher’s own wiki currently does not exist.
Power Man and Iron Fist Vol. 1, #69. Written by Jo Duffy and Steven Grant, illustrated by Alan Weiss.
Posted in Asia, bizarreness, race, writing
Tagged alien, aliens, Asia, asian, Capital Cities of Heaven, China, Chinese, comic books, extraterrestrial, H'ylthri, human, Iron Fist, K'un-Lun, Marvel, research
Technically my posts are supposed to go up on Friday. As loyal readers may have noticed, and much to my chagrin, my tendency as of late has been to put them up on Saturday, and sometimes even Sunday. This is one of those very rare instances where I’m glad I took some time to get to a particular topic.
See, this Thursday I came across the Comic Book Resources headline “Finn Jones On Iron Fist Criticism: ‘Danny Is Not A White Savior’”, which I ended up clicking on against my better judgement.
The actor begins by empathizing with those who might be upset about Netflix’s latest upcoming Marvel project, saying:
“I understand where this frustration comes from. I understand the need for more diversity in television and films, especially for Asian actors. I understand that frustration. I agree with it, and I stand in solidarity with that voice.”
I filled my lifetime quota for Well-Meaning White Person™ responses with Tilda Swinton last year, though, so there’s only so much Jones’ attempts at allyship could do to affect me. What really riled me up, to the point where I was going to lean hard into the style of my co-writer Gordon’s profanity-laden rage posts, was what he mentioned a little later on:
“People from all over the world, all different cultures come from K’un-Lun, so it isn’t just this Asian-specific culture. You have people from Brazil there, you have people from Europe there. It’s a multicultural intergalactic alternate dimension.”
Fortunately I’ve since been able to calm down, so let’s take a few steps back and start from the top. Continue reading
Posted in Asia, comics, film, media, race, television
Tagged alternate dimension, Asia, asian, Big Hero 6, casting, China, Chinese, Danny Rand, Doctor Strange, Finn Jones, fish out of water, Iron Fist, K'un-Lun, Kamar-Taj, Kunlun, Marvel, multicultural, netflix, race, representation, San Fransokyo, White Savior, white saviour
I couldn’t believe my eyes when I began watching the promo for this week’s 2 Broke Girls. Max meeting her father, really? Typically any references to her upbringing are about her extremely neglectful mother, and the last time that was touched on in any major way was literally three seasons ago.
That episode was the Season 3 finale, “And the First Degree”, and it’s impossible for “And the Dad Day Afternoon” not to be compared to it, for better or for worse.
Posted in Comedy, family, review, television, writing
Tagged 2 Broke Girls, abandoned, And the Dad Day Afternoon, And the First Degree, Beth Behrs, Caroline, CBS, dad, daddy issues, deadbeat, disappointed, family, father, Han, Jonathan Kite, Kat Dennings, Matthew Moy, Max, Oleg, reunion, review, Rita, S6E18, Sophie
These are the facts:
Last Wednesday, Srinivas Kuchibhotla and Alok Madasani – two Indian-born engineers living and working in the US – stepped into Austin’s Bar & Grill in Olathe, Kansas. As they had done so many times before, they ordered drinks and unwound after a long day of work. On this particular evening however, Kuchibhotla and Madasani were approached by another patron, Adam Purinton, who began to shout racial slurs at the two men and demanded to know “Which country are you from? Are you here illegally?”, before shouting “Get out of my country!”
Purinton was thrown out of the bar, only to return with a gun, opening fire on Kuchibhotla and Madasani. Kuchibhotla was killed and Madasani was injured, along with twenty-four year old patron Ian Grillot, who attempted to subdue Purinton. Purinton fled on foot, and was next seen five hours later at an Applebees across the state line. Purinton claimed openly to having killed “two Middle-Eastern men.” Purinton was promptly arrested and extradited from Missouri back to Kansas, where he has been charged with first-degree murder, bail set at two-million dollars.
Once again, these are the facts.
What follows is the tricky part.
How do I write about this – any of this – without devolving into incoherent rage? After all these tragedies over all these years, have we gotten any closer to make sense of the senseless?
Perhaps I could write about how Indians and Sikhs have repeatedly been the targets of hatred intended for Arabs and Muslims. How ever since 9/11, an entire group of people who have done nothing – nothing – to harm the US have been harassed, belittled, and even murdered.
Posted in Asia, crime, government, Islam, morality, news, politics, race, religion
Tagged Adam Purinton, Alok Madasani, Anne Coulter, Arab, Austin's Bar & Grill, Cliven Bundy, Deport, hispanic, India, Indian, Islam, Islamophobia, Kansas, Latinos for Trump, massacre, michelle malkin, Middle Eastern, Muslim, Muslims, Nikki Haley, Oak Creek, Olathe, Sikh, Srinivas Kuchibhotla, Tim Scott, Travel Ban
With the 89th Academy Awards coming in just a few short days I’m grateful for the opportunity to interview director Juanjo Giménez and pick his brain about Timecode, which has been nominated for Best Short Film.
This comes roughly two weeks after my review, and I made the most of the occasion by trying to unpack so much of what I enjoyed about this particular piece of work. While I was only able to ask so many questions, I hope that Giménez’s answers help shine a little light on why Timecode was considered for this great honour, as well as why it might deserve it.
To start with, it’s almost no surprise that Timecode was nominated for both an Academy Award and a Goya Award given your impressive filmography. Has having written, directed, and produced so much award-winning work changed your approach with each new project?
I don’t think so. I think that no filmmaker thinks about awards or recognition when making a new film. In our case, financing every new project has always been difficult, even if the previous film has been a successful one. The only thing that is essential for approaching a new project is the need to make it.
It’s notable that much of the work you’ve received the most attention for are your short films. What is it that appeals to you about that particular format?
Timecode is my ninth short film as director. I learned that short films usually fit the way I approach filmmaking better. And what’s more important, there’s nothing wrong with that! That doesn’t mean I won’t make a feature film again, but shorts provide a great platform for experimenting without the financial struggles that usually constrain a fiction feature. Even if I speak as a producer, in terms of financial results, my shorts have always been more profitable than my features. Continue reading
Posted in art, dance, film, interview, media, writing
Tagged Academy Awards, acting, actor, Best Short Film, choreography, cinematographer, composer, dancer, dancing, interview, Iván Céster, Juanjo Giménez, Lali Ayguadé, music, Niccolas Ricchini, nominated, Pere Pueyo, performance, review, score, security guard, short film, Timecode
Caroline won’t shut up about her boyfriend Bobby. You know, that cute guy Bobby, her boyfriend? Given their burgeoning relationship, and the fact that he also mentions her in the same way, it makes perfect sense that this would be a Caroline-centric episode. With how few and far between these moments are, however, it doesn’t seem like the writers’ room is as comfortable with the setup as they probably should be.
That being said this is just about as linear a narrative as you can get, and while the premise is tried and true the actual scenario presented is a little harder to swallow.
Meeting your significant other’s family is such a comedic staple that it spawned an actual trilogy [everyone forgets Little Fockers], so Caroline being invited to Bobby’s childhood home, which he moved back into after his father died, is pretty standard fare. His insisting that Max go as well also makes sense, since he considers her Caroline’s family. What’s far less plausible is the entire diner staff being able to just tag along with them. Continue reading
Posted in Comedy, family, review, television, writing
Tagged 2 Broke Girls, acting, And the Jessica Shmessica, Beth Behrs, Bobby, Caroline, CBS, Christopher Gorham, dinner, directing, Don Scardino, ex-girlfriend, family, Han, happier with your mouth open, Jonathan Kite, Kat Dennings, Matthew Moy, Max, mom, mother, Oleg, relationship, review, Rita, S6E17, sauce, Sophie, Teresa, WKUK