Yeah, I saw Age of Ultron exactly a week ago. Yes, keeping myself from watching as much promotional material as possible prior to seeing it actually improved my viewing experience immensely. Oh, and that being said I did enjoy it, thank you for asking. Not a perfect film by any means, but still pretty good.
To back up the title of this post allow me to reveal that I spend at least three digits of dollars worth of comic books every month, and at least 90% of that money goes to Marvel Comics. As a company they own most of my favourite characters and are telling the stories I’m most interested in. I think “fanboy” goes a little too far, but you cut those last three letters off and I’ll wave that flag with a moderate amount of enthusiasm.
Having gotten that out of the way it should go without saying that even when they’re pretty bad [I’m looking at you, Iron Man 2] I still enjoy them. I know for a fact what movies I’m watching out to 2019, which is something I’ve never been able to say before. With the way the hype train has been rolling on towards the third installment in the Avengers film franchise there are still times when I need to pump the brakes [trains have brakes, right?] and remember something-
Three hunky White Chrises.
The Marvel Cinematic Universe is incredibly White [I know there’s something you want to bring up, fellow Age of Ultron viewers, and I’ll get to that closer to the end]- Continue reading
I very, very strongly recommend that you read it in its entirety, because with the sole exception of one small portion I’ll be addressing I believe it to be the gospel truth. If you still absolutely refuse to for some absurd reason, and I’m going to ask you to check it out again before moving on . . . the post catalogues the portrayal of Asian men in American cinema, specifically in terms of their desirability. It was particularly eye-opening to me in that one of the earliest examples goes back to the late 1950s with The Crimson Kimono [poster on the right, obviously].
Before we really delve into this review, can we please pause for a moment and gush over its cover? Jake Wyatt returns after providing art duties for issues 
create biological webs from her fingertips. Other favourites from the same publisher include Shang-Chi, the Master of Kung-Fu, an Avenger at the time of this writing. He primarily relies on his master of martial arts, an ability which didn’t keep him from participating in an intergalatic war to save the universe. Another is Amadeus Cho, a teenager who attained the title of “7th Smartest Man in the World” and frequently took down superhuman assailants with only his intelligence and whatever else was available. Yes, at one point one of those superhuman assailants was the Hulk. The Hulk.
Bradley Katsuyama is a real-life currently existing person. He is an Asian-Canadian and has been a doer of objectively heroic actions surrounding the investigation and consequent combating of algorithms that preyed on unwitting investors. While not the intellectual property of a company creating and producing recent years’ largest blockbusters he is the focus of the novel Flash Boys: A Wall Street Revolt, a film adaptation of which Aaron Sorkin is set to write the screenplay for. Yet at this point Katsuyama is no closer to having his story told than Shang-Chi or any of the rest of them.
Culture War Reporters 